Movie News
Witness her: “Furiosa: A Mad Max Saga” is off to the races at the box office this holiday weekend.
Director George Miller’s R-rated prequel to “Mad Max: Fury Road” has made $3.5 million in previews so far. The Warner Bros. action film is expected to bring in $40 million to $45 million over the four-day Memorial Day weekend, roughly the same as what “Fury Road” made across three days in 2015.
“Fury Road,” which starred Tom Hardy as wasteland warrior Max Rockatansky and introduced Charlize Theron as the badass driver Imperator Furiosa, opened with $45.4 million after $3.7 million in Thursday previews.
“Furiosa” winds back the clock and stars Anya Taylor-Joy as a younger version of Theron’s character. It shows how she became a fearless sharpshooter working for the evil Immortan Joe and his War Boys, later seen in “Fury Road.” Chris Hemsworth also stars as Dementus, the leader of a pack of biker warriors.
Director George Miller’s R-rated prequel to “Mad Max: Fury Road” has made $3.5 million in previews so far. The Warner Bros. action film is expected to bring in $40 million to $45 million over the four-day Memorial Day weekend, roughly the same as what “Fury Road” made across three days in 2015.
“Fury Road,” which starred Tom Hardy as wasteland warrior Max Rockatansky and introduced Charlize Theron as the badass driver Imperator Furiosa, opened with $45.4 million after $3.7 million in Thursday previews.
“Furiosa” winds back the clock and stars Anya Taylor-Joy as a younger version of Theron’s character. It shows how she became a fearless sharpshooter working for the evil Immortan Joe and his War Boys, later seen in “Fury Road.” Chris Hemsworth also stars as Dementus, the leader of a pack of biker warriors.
- 5/24/2024
- by Jordan Moreau
- Variety Film + TV
Exclusive: Following his massive victory against Tyson Fury to become the newly crowned Undisputed World Heavyweight Boxing Champion, Oleksandr Usyk has found his next opponent on the big screen as he is set to join the cast of A24’s The Smashing Machine as Mma legend Igor Vovchanchyn. The film stars Dwayne Johnson and Academy Award-nominated Emily Blunt.
The pic is written and directed by Benny Safdie and produced and financed by A24. The film is based on the story of Mark Kerr, the legendary Mma fighter from the no-holds-barred era of the UFC at the peak of his career. He struggles with addiction, winning, love and friendship in the year 2000.
Dwayne ‘The Rock’ Johnson in A24’s ‘The Smashing Machine’
The news comes after Johnson revealed the first image from the film which features an unrecognizable Johnson in the corner of the ring getting ready for a match. The...
The pic is written and directed by Benny Safdie and produced and financed by A24. The film is based on the story of Mark Kerr, the legendary Mma fighter from the no-holds-barred era of the UFC at the peak of his career. He struggles with addiction, winning, love and friendship in the year 2000.
Dwayne ‘The Rock’ Johnson in A24’s ‘The Smashing Machine’
The news comes after Johnson revealed the first image from the film which features an unrecognizable Johnson in the corner of the ring getting ready for a match. The...
- 5/24/2024
- by Justin Kroll
- Deadline Film + TV
Buyers are hot for The Substance.
The Demi Moore body horror film from director Coralie Fargeat, one of the buzziest films in this year’s Cannes competition, has all but sold out worldwide following its rapturous reception at last week’s world premiere.
The Match Factory, which is handling world sales on the movie, closed deals in Cannes for Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97). Metropolitan has previously acquired the film for distribution in France.
Match Factory’s parent company Mubi holds all rights for The Substance in North America, the U.K., Ireland, Germany, Austria, Latin America, and Benelux, and is planning a theatrical rollout later this year.
The Demi Moore body horror film from director Coralie Fargeat, one of the buzziest films in this year’s Cannes competition, has all but sold out worldwide following its rapturous reception at last week’s world premiere.
The Match Factory, which is handling world sales on the movie, closed deals in Cannes for Italy (I Wonder Pictures), Spain (Elastica Films), Scandinavia (Nonstop Entertainment), South Korea (Challan), Hong Kong (Golden Scene Company), Cis (Vlg.Film Ltd.), Ukraine and Baltics (Adastra Cinema), Taiwan (Catchplay), Australia and New Zealand (Madman Entertainment), Poland (Monolith), Greece (Feelgood Entertainment), Former Yugoslavia (McF Megacom), Bulgaria (Beta Film) and Romania (Independenta Film 97). Metropolitan has previously acquired the film for distribution in France.
Match Factory’s parent company Mubi holds all rights for The Substance in North America, the U.K., Ireland, Germany, Austria, Latin America, and Benelux, and is planning a theatrical rollout later this year.
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Benoit Blanc is back to solve another mystery in Rian Johnson’s third “Knives Out” film, titled “Wake Up Dead Man.”
Johnson announced the title, along with a 2025 release date, in a teaser posted to X Friday morning.
“In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed,” narrates Daniel Craig in the 45-second video, referencing the first two titles of the murder mystery franchise, 2019’s “Knives Out” and 2022’s “Glass Onion.”
“Wake Up Dead Man” will be distributed by Netflix as part of Johnson’s two-sequel deal with the streamer, worth $450 million. Despite the first film, distributed by Lionsgate, grossing $312 million at the global box office, Netflix put out “Glass Onion” with only a limited theatrical release, collecting a mere $13 million before launching it on streaming.
Johnson sent the internet into a frenzy early Friday...
Johnson announced the title, along with a 2025 release date, in a teaser posted to X Friday morning.
“In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed,” narrates Daniel Craig in the 45-second video, referencing the first two titles of the murder mystery franchise, 2019’s “Knives Out” and 2022’s “Glass Onion.”
“Wake Up Dead Man” will be distributed by Netflix as part of Johnson’s two-sequel deal with the streamer, worth $450 million. Despite the first film, distributed by Lionsgate, grossing $312 million at the global box office, Netflix put out “Glass Onion” with only a limited theatrical release, collecting a mere $13 million before launching it on streaming.
Johnson sent the internet into a frenzy early Friday...
- 5/24/2024
- by Ethan Shanfeld
- Variety Film + TV
Morgan Spurlock, a documentary filmmaker who captured his own psychological and physical symptoms from eating McDonald’s every day for a month in the Oscar-nominated 2004 feature “Super Size Me,” died Thursday in upstate New York due to complications of cancer. He was 53.
Spurlock’s family confirmed his death.
“It was a sad day, as we said goodbye to my brother Morgan,” says Craig Spurlock, who worked with his brother on several projects. “Morgan gave so much through his art, ideas and generosity. Today the world has lost a true creative genius and a special man. I am so proud to have worked together with him.”
Spurlock rose to prominence for “Super Size Me,” in which he conducted an experiment involving consuming only food from McDonald’s for a 30-day stretch. The rules also included the stipulation that Spurlock could not refuse the “super-size” option if prompted during the transaction. The filmmaker...
Spurlock’s family confirmed his death.
“It was a sad day, as we said goodbye to my brother Morgan,” says Craig Spurlock, who worked with his brother on several projects. “Morgan gave so much through his art, ideas and generosity. Today the world has lost a true creative genius and a special man. I am so proud to have worked together with him.”
Spurlock rose to prominence for “Super Size Me,” in which he conducted an experiment involving consuming only food from McDonald’s for a 30-day stretch. The rules also included the stipulation that Spurlock could not refuse the “super-size” option if prompted during the transaction. The filmmaker...
- 5/24/2024
- by Addie Morfoot
- Variety Film + TV
Late screenwriter-director Sophie Fillières’ seventh and final feature, “This Life of Mine” was the opening film at this year’s Directors’ Fortnight and today wrapped things up as the France Writers’ Guild’s favorite French-language feature, winning the Sacd Authors’ Favorite Prize.
In the film, Barbie, once a devoted mother and partner, faces the realities of middle age as she turns 55. Following a classic three-act structure, the film advances from comedy to tragedy to epiphany, at times toying with the absurd.
Said Anne Villacèque, Sacd administrator: “This year, we had to decide from a particularly eclectic selection. Choosing between novel and poetry, right arm and left arm, grandiose or more modest films. We chose the film whose heart beat the strongest and continued to move us long after seeing it.
“A daring, delicate, unpredictable film, the culmination of a work full of dissonance and side steps, as its director liked to say,...
In the film, Barbie, once a devoted mother and partner, faces the realities of middle age as she turns 55. Following a classic three-act structure, the film advances from comedy to tragedy to epiphany, at times toying with the absurd.
Said Anne Villacèque, Sacd administrator: “This year, we had to decide from a particularly eclectic selection. Choosing between novel and poetry, right arm and left arm, grandiose or more modest films. We chose the film whose heart beat the strongest and continued to move us long after seeing it.
“A daring, delicate, unpredictable film, the culmination of a work full of dissonance and side steps, as its director liked to say,...
- 5/23/2024
- by Jamie Lang
- Variety - Film News
Netflix has acquired the legal drama “Monsanto,” a buzzy package from this year’s Cannes Film Festival.
John Lee Hancock directed the movie, which stars Glen Powell, Anthony Mackie and Laura Dern.
“Monsanto” tells the true story of young upstart lawyer Brent Wisner (Powell), who took on the court case against the giant U.S. chemical company Monsanto on behalf of Dewayne “Lee” Johnson (Mackie). Johnson used the company’s product Roundup, a top-selling weed and grass pesticide killer, as part of his job as a high school groundskeeper. During the trial, Monsanto Company’s chief toxicologist Dr. Melinda Rogers (Dern), testifies that Roundup is safe. Hancock also wrote the screenplay with Michael Wisner, Alexandra Duparc.
“I was drawn to this contemporary David vs. Goliath true story because I found it dramatic, moving, quite funny and of critical importance in today’s world,” Hancock said prior to the film’s sale.
John Lee Hancock directed the movie, which stars Glen Powell, Anthony Mackie and Laura Dern.
“Monsanto” tells the true story of young upstart lawyer Brent Wisner (Powell), who took on the court case against the giant U.S. chemical company Monsanto on behalf of Dewayne “Lee” Johnson (Mackie). Johnson used the company’s product Roundup, a top-selling weed and grass pesticide killer, as part of his job as a high school groundskeeper. During the trial, Monsanto Company’s chief toxicologist Dr. Melinda Rogers (Dern), testifies that Roundup is safe. Hancock also wrote the screenplay with Michael Wisner, Alexandra Duparc.
“I was drawn to this contemporary David vs. Goliath true story because I found it dramatic, moving, quite funny and of critical importance in today’s world,” Hancock said prior to the film’s sale.
- 5/23/2024
- by Rebecca Rubin and Matt Donnelly
- Variety - Film News
Steven Spielberg’s next movie will hit theaters on May 15, 2026, Universal and Amblin Entertainment announced Thursday.
The untitled movie is described as an original event film created and helmed by the iconic director, but plot details are being kept under tight wraps.
Based on a story by Spielberg, the screenplay is written by longtime collaborator David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park and The Kingdom of the Crystal Skull.
Combined, those films earned more than $3 billion worldwide.
He last directed the semi-autobiographical The Fabelmans, which was released in 2022. Released by Universal, the Amblin film received seven Academy Awards nominations, including for best picture, directing, best original screenplay, best actress and best picture.
Spielberg is one of the industry’s most successful and influential filmmakers, along with being the top-grossing director of all time. His bevy of blockbusters include Jaws, E.T. The Extra-Terrestrial, the Indiana Jones franchise and Jurassic Park.
The untitled movie is described as an original event film created and helmed by the iconic director, but plot details are being kept under tight wraps.
Based on a story by Spielberg, the screenplay is written by longtime collaborator David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park and The Kingdom of the Crystal Skull.
Combined, those films earned more than $3 billion worldwide.
He last directed the semi-autobiographical The Fabelmans, which was released in 2022. Released by Universal, the Amblin film received seven Academy Awards nominations, including for best picture, directing, best original screenplay, best actress and best picture.
Spielberg is one of the industry’s most successful and influential filmmakers, along with being the top-grossing director of all time. His bevy of blockbusters include Jaws, E.T. The Extra-Terrestrial, the Indiana Jones franchise and Jurassic Park.
- 5/23/2024
- by Pamela McClintock
- The Hollywood Reporter - Movie News
The velociraptors have found a Friend.
Rupert Friend, the British actor who in appeared in Wes Anderson’s Asteroid City, will star alongside Scarlett Johansson and Jonathan Bailey in the all-new Jurassic World feature being made by Universal Pictures.
Gareth Edwards is directing the creature feature that also has Manuel Garcia-Rulfo on the call sheet.
David Koepp, the original screenwriter of Jurassic Park and The Lost World: Jurassic Park, penned the script for the new installment, whose plot details are being kept hidden in a can of Barbasol.
The project is casting furiously ahead of a production start in mid-June in London. Universal will have a tight turnaround in postproduction, as the studio has set a theatrical release of July 2, 2025.
Frank Marshall and Patrick Crowley, who have shepherded the modern Jurassic franchise, will produce through Kennedy/Marshall. Steven Spielberg, who kicked off the franchise in 1993 with Jurassic Park, is exec producing through Amblin Entertainment.
Rupert Friend, the British actor who in appeared in Wes Anderson’s Asteroid City, will star alongside Scarlett Johansson and Jonathan Bailey in the all-new Jurassic World feature being made by Universal Pictures.
Gareth Edwards is directing the creature feature that also has Manuel Garcia-Rulfo on the call sheet.
David Koepp, the original screenwriter of Jurassic Park and The Lost World: Jurassic Park, penned the script for the new installment, whose plot details are being kept hidden in a can of Barbasol.
The project is casting furiously ahead of a production start in mid-June in London. Universal will have a tight turnaround in postproduction, as the studio has set a theatrical release of July 2, 2025.
Frank Marshall and Patrick Crowley, who have shepherded the modern Jurassic franchise, will produce through Kennedy/Marshall. Steven Spielberg, who kicked off the franchise in 1993 with Jurassic Park, is exec producing through Amblin Entertainment.
- 5/22/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
A Native American costume designer sued Apple on Wednesday, alleging that her contributions to “Killers of the Flower Moon” were overlooked during the studio’s awards campaign.
Kristi Marie Hoffman, who was credited as an assistant costume designer, also alleges that she was subject to racial discrimination on set.
Hoffman filed a discrimination complaint with the Equal Employment Opportunity Commission, which resulted in a confidential settlement in December 2022. Subsequently, Hoffman alleges that the studio retaliated by denying her credit and accolades and “attempting to erase her contributions.”
Apple did not immediately respond to a request for comment.
Hoffman sued Apple, the Costume Designers Guild, and Jacqueline West, the costume designer who hired her.
In the complaint, she states that she was brought on because West needed someone with the cultural competency to handle the project, and West also wanted to make sure that Native Americans were represented among the crew.
Kristi Marie Hoffman, who was credited as an assistant costume designer, also alleges that she was subject to racial discrimination on set.
Hoffman filed a discrimination complaint with the Equal Employment Opportunity Commission, which resulted in a confidential settlement in December 2022. Subsequently, Hoffman alleges that the studio retaliated by denying her credit and accolades and “attempting to erase her contributions.”
Apple did not immediately respond to a request for comment.
Hoffman sued Apple, the Costume Designers Guild, and Jacqueline West, the costume designer who hired her.
In the complaint, she states that she was brought on because West needed someone with the cultural competency to handle the project, and West also wanted to make sure that Native Americans were represented among the crew.
- 5/22/2024
- by Gene Maddaus
- Variety - Film News
And the winner is: “Simon of the Mountain.”
The film, directed by Federico Luis – and marking his feature debut – was awarded Cannes’ Critics Week Grand Prix.
Sold by Luxbox, the Argentina-Chile-Uruguay production stars Lorenzo “Toto” Ferro, the lead in breakout “El Angel,” as Simon, 21, a lonely only son who falls in with a group of discapacitated kids, feigning a discapacity. Thanks to their friendship he flowers, discovering love, sex and a sense of belonging.
“I am thinking not only about what it means to us, but also about what it means to the people in Argentina who, over the course of the next four years, will struggle, trying to make local films,” said Luis, accepting the award.
“At home, there are people who still think we make films no one wants to see. I hope this will change it and that Argentinian people – and then the whole world – will watch Argentinian cinema.
The film, directed by Federico Luis – and marking his feature debut – was awarded Cannes’ Critics Week Grand Prix.
Sold by Luxbox, the Argentina-Chile-Uruguay production stars Lorenzo “Toto” Ferro, the lead in breakout “El Angel,” as Simon, 21, a lonely only son who falls in with a group of discapacitated kids, feigning a discapacity. Thanks to their friendship he flowers, discovering love, sex and a sense of belonging.
“I am thinking not only about what it means to us, but also about what it means to the people in Argentina who, over the course of the next four years, will struggle, trying to make local films,” said Luis, accepting the award.
“At home, there are people who still think we make films no one wants to see. I hope this will change it and that Argentinian people – and then the whole world – will watch Argentinian cinema.
- 5/22/2024
- by Marta Balaga
- Variety Film + TV
“The Seed of the Sacred Fig,” Mohammad Rasoulof’s latest film that he received an eight-year prison sentence from Iranian authorities for making, earned a rapturous 12-minute standing ovation at its Cannes Film Festival premiere on Friday. Rasoulof risked his life by appearing at the premiere as he fled Iran for Europe on May 13 to avoid going to prison.
There was undeniable applause as the film’s credits began to roll (though it is Variety‘s policy to begin timing the standing ovation once the house lights come up), with Rasoulof getting teary and waving enthusiastically to the balcony. Ali Abbasi, the director of fellow competition title “The Apprentice,” stood next to Rasoulof and encouraged the crowd to keep clapping — not that they needed it, as their cheers just seemed to get louder and louder. There was even a sign in the audience reading “Femme! Vie! Liberté!” (“Woman! Life! Freedom!
There was undeniable applause as the film’s credits began to roll (though it is Variety‘s policy to begin timing the standing ovation once the house lights come up), with Rasoulof getting teary and waving enthusiastically to the balcony. Ali Abbasi, the director of fellow competition title “The Apprentice,” stood next to Rasoulof and encouraged the crowd to keep clapping — not that they needed it, as their cheers just seemed to get louder and louder. There was even a sign in the audience reading “Femme! Vie! Liberté!” (“Woman! Life! Freedom!
- 5/24/2024
- by Ramin Setoodeh and Ellise Shafer
- Variety Film + TV
Kodi, the canine defendant in Laetitia Dosch’s Dog on Trial, was named top dog at the Cannes Film Festival, snatching the Palm Dog prize for the best canine performance.
In a rare treat, Kodi, a 9-year-old Griffon, attended the event, a boozy and chaotic affair, as is the Palm Dog tradition, at the Plage du Festival in Cannes on Friday. He even gave a demonstration of his howling performance from the film, something the director said he had to be trained to do, not being a natural howler in real life.
In Dog on Trial, Kodi plays Cosmos, the four-legged companion of a visually impaired man (François Damiens) who, after a biting incident, finds himself at the center of an absurd trial to decide whether he will be put down. Avril (Laetitia Dosch), a lawyer accustomed to lost causes, decides to represent Cosmos.
Dosch said she insisted on having...
In a rare treat, Kodi, a 9-year-old Griffon, attended the event, a boozy and chaotic affair, as is the Palm Dog tradition, at the Plage du Festival in Cannes on Friday. He even gave a demonstration of his howling performance from the film, something the director said he had to be trained to do, not being a natural howler in real life.
In Dog on Trial, Kodi plays Cosmos, the four-legged companion of a visually impaired man (François Damiens) who, after a biting incident, finds himself at the center of an absurd trial to decide whether he will be put down. Avril (Laetitia Dosch), a lawyer accustomed to lost causes, decides to represent Cosmos.
Dosch said she insisted on having...
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Page Kennedy has joined the cast of “The Breed,” an upcoming reimagining of the cult favorite. He joins a cast that also includes Grace Caroline Currey. The film will be directed by brothers Nathan and Griff Furst, who will also produce together through their Curmudgeon Films shingle.
Kennedy, a Shakespearean-trained performer, was recently seen in “The Meg 2: The Trench,” appearing opposite Jason Statham in the mega-shark movie, which opened last summer. He reprised his role from the first film, 2018’s “The Meg,” which grossed more than $530 million. He also starred on the Netflix series “The Upshaws” alongside Wanda Sykes and Mike Epps. He will next be seen in the upcoming action-comedy “Code 3,” which co-stars Rainn Wilson and Yvette Nicole Brown. In addition to his film work, Kennedy has been a series regular on numerous shows such as “Rush Hour,” “Weeds,” “Desperate Housewives,” “Backstroke” and “Blue Mountain State.” In addition to his acting work,...
Kennedy, a Shakespearean-trained performer, was recently seen in “The Meg 2: The Trench,” appearing opposite Jason Statham in the mega-shark movie, which opened last summer. He reprised his role from the first film, 2018’s “The Meg,” which grossed more than $530 million. He also starred on the Netflix series “The Upshaws” alongside Wanda Sykes and Mike Epps. He will next be seen in the upcoming action-comedy “Code 3,” which co-stars Rainn Wilson and Yvette Nicole Brown. In addition to his film work, Kennedy has been a series regular on numerous shows such as “Rush Hour,” “Weeds,” “Desperate Housewives,” “Backstroke” and “Blue Mountain State.” In addition to his acting work,...
- 5/24/2024
- by Brent Lang
- Variety - Film News
“Still Working 9 to 5,” the 2022 documentary that uses the ideas raised 1980’s “9 to 5” as a way to explore inequality in the workplace, will have its L.A. premiere May 29 at the Renberg Theatre in Hollywood in partnership with the Era.
“Still Working 9 to 5” follows the journey of women in the workplace and looks at the continuing inequality over the past 40 years. It’s directed and produced by Camille Hardman and Gary Lane.
Alyssa Milano will present the Era Coalition Trailblazer Awards to “9 to 5” stars Jane Fonda, Lily Tomlin and Dolly Parton at the screening. Fonda and Tomlin are confirmed to attend, while Parton will accept her award by a prerecorded video from Nashville.
A panel discussion with Tomlin and Fonda about the documentary, women’s rights and the importance of the Era passing this election year will be hosted by Zakia Thomas, the president of the Era Coalition.
“Still Working 9 to 5” follows the journey of women in the workplace and looks at the continuing inequality over the past 40 years. It’s directed and produced by Camille Hardman and Gary Lane.
Alyssa Milano will present the Era Coalition Trailblazer Awards to “9 to 5” stars Jane Fonda, Lily Tomlin and Dolly Parton at the screening. Fonda and Tomlin are confirmed to attend, while Parton will accept her award by a prerecorded video from Nashville.
A panel discussion with Tomlin and Fonda about the documentary, women’s rights and the importance of the Era passing this election year will be hosted by Zakia Thomas, the president of the Era Coalition.
- 5/23/2024
- by Jazz Tangcay, Lexi Carson, Jack Dunn and Selena Kuznikov
- Variety - Film News
Netflix is in talks to acquire one of the most talked about titles at this year’s Cannes Film Festival: Emilia Pérez.
The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to transition into a woman.
Zoe Saldaña stars in the film, along with Selena Gomez and Edgar Ramirez, with breakout Karla Sofia Gascón as the title character.
The film earned a warm Cannes reception with a long standing ovation and near universal praise from critics.
The Hollywood Reporter‘s review reads: “The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama, noir, social realism, a hint of telenovela camp and a climactic escalation into suspense, ultimately touched by tragedy. All this...
The movie, from writer-director Jacques Audiard, follows a cartel leader who hires an undervalued lawyer to help him withdraw from his business and realize a plan he has been secretly preparing for years, to transition into a woman.
Zoe Saldaña stars in the film, along with Selena Gomez and Edgar Ramirez, with breakout Karla Sofia Gascón as the title character.
The film earned a warm Cannes reception with a long standing ovation and near universal praise from critics.
The Hollywood Reporter‘s review reads: “The baseline is a drama of criminality and redemption, but then there’s an unforced current of Almodóvarian humor, along with moments of melodrama, noir, social realism, a hint of telenovela camp and a climactic escalation into suspense, ultimately touched by tragedy. All this...
- 5/23/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
Exclusive: AI firm Flawless, distributor-financier XYZ Films (Mandy), and producer Tea Shop Productions (The Fall) have acquired Michel Gondry’s 2023 Cannes Directors’ Fortnight movie The Book Of Solutions for all English-speaking territories.
Directed and written by Gondry, the French-language comedy is the first film in seven years from the Eternal Sunshine of the Spotless Mind and The Science of Sleep filmmaker.
It will be releases simultaneously in the original French language and converted to a director-approved English-language version using Flawless’ TrueSync AI technology, which became known after movies like The Fall. You can read about Flawless’ “visual translation” techniques and acquisitions strategy in our story here.
Pic stars Pierre Niney, Blanche Gardin, Francoise Lebrun and Vincent Elbaz and was produced by George Bermann at Partizan.
In the film, Marc (Niney), a bipolar and paranoid filmmaker, is having trouble with his latest project. With his editor as an accomplice, he manages...
Directed and written by Gondry, the French-language comedy is the first film in seven years from the Eternal Sunshine of the Spotless Mind and The Science of Sleep filmmaker.
It will be releases simultaneously in the original French language and converted to a director-approved English-language version using Flawless’ TrueSync AI technology, which became known after movies like The Fall. You can read about Flawless’ “visual translation” techniques and acquisitions strategy in our story here.
Pic stars Pierre Niney, Blanche Gardin, Francoise Lebrun and Vincent Elbaz and was produced by George Bermann at Partizan.
In the film, Marc (Niney), a bipolar and paranoid filmmaker, is having trouble with his latest project. With his editor as an accomplice, he manages...
- 5/23/2024
- by Andreas Wiseman
- Deadline Film + TV
Vanessa Kirby has amassed an impressively starry ensemble cast for the first feature out of the gates for Aluna Entertainment, the production company she established in 2021 with former Film4 exec Lauren Dark.
“Night Always Comes,” which Oscar nominee Kirby will lead, is set to star Jennifer Jason Leigh, Zack Gottsagen (“The Peanut Butter Falcon”), Stephan James (“If Beale Street Could Talk”), Julia Fox (“Uncut Gems”), Eli Roth, Randall Park and Michael Kelly.
Shooting is now underway in Portland on the thriller, which is based on the 2021 novel by Willy Vlautin. Benjamin Caron directs from a script by Sarah Conradt (“Mother’s Instinct”).
As per the logline, “Night Always Comes” follows Lynette, a woman who risks everything to secure a future for herself and her brother by setting out on a dangerous odyssey in Portland, in doing so confronting her own dark past over one propulsive night.
Kirby and Dark are producing...
“Night Always Comes,” which Oscar nominee Kirby will lead, is set to star Jennifer Jason Leigh, Zack Gottsagen (“The Peanut Butter Falcon”), Stephan James (“If Beale Street Could Talk”), Julia Fox (“Uncut Gems”), Eli Roth, Randall Park and Michael Kelly.
Shooting is now underway in Portland on the thriller, which is based on the 2021 novel by Willy Vlautin. Benjamin Caron directs from a script by Sarah Conradt (“Mother’s Instinct”).
As per the logline, “Night Always Comes” follows Lynette, a woman who risks everything to secure a future for herself and her brother by setting out on a dangerous odyssey in Portland, in doing so confronting her own dark past over one propulsive night.
Kirby and Dark are producing...
- 5/23/2024
- by Alex Ritman
- Variety Film + TV
Kodak, which had a momentous 2023 with more than 60 movies shot on film has gotten off to a promising start in 2024 with Luca Guadignino’s “Challengers” and Jane Shoenbrun’s “I Saw the TV Glow, which A24 released wide May 17. Upcoming releases include Jeff Nichols’ “The Bikeriders” and Robert Eggers’ “Nosferatu.”
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
Meanwhile, Kodak premiered 29 movies shot on film at Cannes. These include five features competing for the Palme d’Or: Yorgos Lanthimos’ “Kinds of Kindness,” Sean Baker’s “Anora,” Andrea Arnold’s “Bird,” Karim Aïnouz’s “Motel Destino,” and Miguel Gomes’ “Grand Tour.”
Additionally, four movies are featured in Un Certain Regard, and 16 titles across Directors’ Fortnight and Critics’ Week were captured on film. Meanwhile, 16mm film continues to prove its popularity and relevance, with 23 of the on-film titles at the festival choosing it as their capture medium.
This article was first published January 27, 2024. It has been updated.
Cannes 2024 Premieres ‘Kinds...
- 5/27/2024
- by Bill Desowitz
- Indiewire
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
“The Last Of Us” Season 2 cast already had some stellar new additions, but this one may be the best of the lot. Deadline reports that Jeffrey Wright joins the ensemble cast as Isaac, the powerful leader of the Washington Liberation Front in the videogame. And that casting makes perfect sense, since Wright voiced the same character in 2020’s “The Last Of Us Part II.”
Read More: ‘The Last Of Us’ Season 2 First Look: HBO Releases Images From The New Season Coming In 2025
Wright joins previously announced new cast members Kaitlyn Dever, Isabel Merced, Young Mazino, Ariela Barer, Tati Gabrielle, Spencer Lord, Danny Ramirez, and Catherine O’Hara for the show’s upcoming second season, currently in production. Pedro Pascal and Bella Ramsay return as Joel and Elli as they continue their journey across a post-apocalyptic US ravaged by a fungal pandemic. Gabriel Luna will likely also return in Season 2 as Joel’s brother,...
Read More: ‘The Last Of Us’ Season 2 First Look: HBO Releases Images From The New Season Coming In 2025
Wright joins previously announced new cast members Kaitlyn Dever, Isabel Merced, Young Mazino, Ariela Barer, Tati Gabrielle, Spencer Lord, Danny Ramirez, and Catherine O’Hara for the show’s upcoming second season, currently in production. Pedro Pascal and Bella Ramsay return as Joel and Elli as they continue their journey across a post-apocalyptic US ravaged by a fungal pandemic. Gabriel Luna will likely also return in Season 2 as Joel’s brother,...
- 5/24/2024
- by Ned Booth
- The Playlist
“The Seed of the Sacred Fig,” Mohammad Rasoulof’s latest film that he received an eight-year prison sentence from Iranian authorities for making, earned a rapturous 12-minute standing ovation at its Cannes Film Festival premiere on Friday. Rasoulof risked his life by appearing at the premiere as he fled Iran for Europe on May 13 to avoid going to prison.
There was undeniable applause as the film’s credits began to roll (though it is Variety‘s policy to begin timing the standing ovation once the house lights come up), with Rasoulof getting teary and waving enthusiastically to the balcony. Ali Abbasi, the director of fellow competition title “The Apprentice,” stood next to Rasoulof and encouraged the crowd to keep clapping — not that they needed it, as their cheers just seemed to get louder and louder. There was even a sign in the audience reading “Femme! Vie! Liberté!” (“Woman! Life! Freedom!
There was undeniable applause as the film’s credits began to roll (though it is Variety‘s policy to begin timing the standing ovation once the house lights come up), with Rasoulof getting teary and waving enthusiastically to the balcony. Ali Abbasi, the director of fellow competition title “The Apprentice,” stood next to Rasoulof and encouraged the crowd to keep clapping — not that they needed it, as their cheers just seemed to get louder and louder. There was even a sign in the audience reading “Femme! Vie! Liberté!” (“Woman! Life! Freedom!
- 5/24/2024
- by Ramin Setoodeh and Ellise Shafer
- Variety - Film News
UK-based Black cinema distributor and supporter We Are Parable has teamed up with the Jamaican Film and Television Association (Jafta) for the third iteration of Shot List showcasing Black and Caribbean filmmakers based in the UK.
The event, which takes place in Kingston, Jamaica on Sunday (May 26), includes screenings, masterclasses and panel discussions. This year’s edition is also supported by James Bond producer Barbara Broccoli through Eon Productions.
Earlier this year, the Jamaican government launched a $1bn fund for filmmakers through the Jamaican Screen Development Initiative.
Jafta president Saeed Thomas said: ”This is a special year for film in...
The event, which takes place in Kingston, Jamaica on Sunday (May 26), includes screenings, masterclasses and panel discussions. This year’s edition is also supported by James Bond producer Barbara Broccoli through Eon Productions.
Earlier this year, the Jamaican government launched a $1bn fund for filmmakers through the Jamaican Screen Development Initiative.
Jafta president Saeed Thomas said: ”This is a special year for film in...
- 5/24/2024
- ScreenDaily
Raoul Peck’s Ernest Cole: Lost And Found and Nada Riyadh and Ayman El Amir’s The Brink Of Dreams have jointly won Cannes’ documentary award, the L’Œil d’or.
Ernest Cole: Lost And Found played in official selection as a Special Screening, while The Brink Of Dreams played in Critics’ Week.
Ernest Cole: Lost And Found marks the Cannes debut of Peck, whose body of work includes the Oscar-nominated I Am Not Your Negro. The documentary is an account of the life of Ernest Cole, one of the first Black photographers from South Africa to chronicle apartheid,...
Ernest Cole: Lost And Found played in official selection as a Special Screening, while The Brink Of Dreams played in Critics’ Week.
Ernest Cole: Lost And Found marks the Cannes debut of Peck, whose body of work includes the Oscar-nominated I Am Not Your Negro. The documentary is an account of the life of Ernest Cole, one of the first Black photographers from South Africa to chronicle apartheid,...
- 5/24/2024
- ScreenDaily
Sideshow and Janus Films have acquired the North American rights to Alain Guiraudie’s Misericordia, which screened this week at Cannes in the Premiere sidebar section.
Janus and Sideshow, which negotiated the deal with Les Films du Losange, are planning a theatrical release for the film.
Written and directed by Guiraudie, the film stars Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay and David Ayala. CG Cinéma, Scala Films, Arte France Cinéma, Andergraun Films and Rosa Filmes co-produced with the participation of Arte France, Ocs and Les Films du Losange. Charles Gillibert of CG Cinema served as producer.
Misericordia centres...
Janus and Sideshow, which negotiated the deal with Les Films du Losange, are planning a theatrical release for the film.
Written and directed by Guiraudie, the film stars Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay and David Ayala. CG Cinéma, Scala Films, Arte France Cinéma, Andergraun Films and Rosa Filmes co-produced with the participation of Arte France, Ocs and Les Films du Losange. Charles Gillibert of CG Cinema served as producer.
Misericordia centres...
- 5/24/2024
- ScreenDaily
As Cannes nears its end, some major contenders have already found homes, while many more buzzy titles with Palme d’Or aspirations are awaiting buyers. This year’s market hasn’t been weighed down by the writers or actors strikes in the same way as last year, meaning companies like A24, Neon, Apple, and more have jumped in on exciting packages of possibly future contenders.
Below we’re tracking everything that gets bought throughout the festival and beyond.
Films Acquired During the Festival “Miséricorde”
Section: Cannes Premiere
Director: Alain Guiraudie
Buyer: Sideshow and Janus Films
Date Acquired: May 24
Cast: Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay and David Ayala
Buzz: Sideshow and Janus Films’ third acquisition out of Cannes is for a film IndieWire has a sweet spot for, the dark comedy and genre film “Miséricorde” (aka “Misericordia”) from the director of “Stranger By the Lake.” The distributors are...
Below we’re tracking everything that gets bought throughout the festival and beyond.
Films Acquired During the Festival “Miséricorde”
Section: Cannes Premiere
Director: Alain Guiraudie
Buyer: Sideshow and Janus Films
Date Acquired: May 24
Cast: Félix Kysyl, Catherine Frot, Jean-Baptiste Durand, Jacques Develay and David Ayala
Buzz: Sideshow and Janus Films’ third acquisition out of Cannes is for a film IndieWire has a sweet spot for, the dark comedy and genre film “Miséricorde” (aka “Misericordia”) from the director of “Stranger By the Lake.” The distributors are...
- 5/24/2024
- by Brian Welk
- Indiewire
Fresh off his Academy Award nomination, Jeffrey Wright is returning to HBO for the highly-anticipated Season 2 of “The Last of Us.”
The Oscar-nominated “American Fiction” actor, who previously won an Emmy for “Westworld,” is set to play Isaac in the video game adaptation series. Isaac is billed as a “quietly powerful leader of a large militia group who sought liberty but instead has become mired in an endless war against a surprisingly resourceful enemy.”
Wright also voiced Isaac in “The Last of Us Part II” video game, making his casting a full circle choice for the Emmy-winning series adaptation.
Wright formerly starred in fellow HBO series “Westworld.” Wright was further rumored to have a spinoff series of “The Batman” at Max; the project has since been stalled as “The Penguin” series and “The Batman: Part II” film both move forward.
The actor is repped by CAA, Strategic PR, and the...
The Oscar-nominated “American Fiction” actor, who previously won an Emmy for “Westworld,” is set to play Isaac in the video game adaptation series. Isaac is billed as a “quietly powerful leader of a large militia group who sought liberty but instead has become mired in an endless war against a surprisingly resourceful enemy.”
Wright also voiced Isaac in “The Last of Us Part II” video game, making his casting a full circle choice for the Emmy-winning series adaptation.
Wright formerly starred in fellow HBO series “Westworld.” Wright was further rumored to have a spinoff series of “The Batman” at Max; the project has since been stalled as “The Penguin” series and “The Batman: Part II” film both move forward.
The actor is repped by CAA, Strategic PR, and the...
- 5/24/2024
- by Samantha Bergeson
- Indiewire
BFI Distribution has acquired Payal Kapadia’s acclaimed Cannes Competition title All We Imagine As Light for UK and Ireland theatrical release.
The first Indian film to be selected in Official Competition at Cannes in three decades, All We Imagine As Light was strongly received at its premiere last night and currently sits in joint first place on Screen’s closely-watched Cannes jury grid.
The film centres on two nurses with troubled relationships in Mumbai who go on a road trip to a beach town — a welcome refuge that gives them the space to grow. It stars Kani Kusruti, Divya Prabha,...
The first Indian film to be selected in Official Competition at Cannes in three decades, All We Imagine As Light was strongly received at its premiere last night and currently sits in joint first place on Screen’s closely-watched Cannes jury grid.
The film centres on two nurses with troubled relationships in Mumbai who go on a road trip to a beach town — a welcome refuge that gives them the space to grow. It stars Kani Kusruti, Divya Prabha,...
- 5/24/2024
- ScreenDaily
The exiled director’s story of officialdom’s misogyny and theocracy in his home country may be flawed, but its importance is beyond doubt
Mohammad Rasoulof is a fugitive Iranian director and dissident wanted by the police in his own country, where he has received a long prison sentence and flogging. Now he has come to Cannes with a brazen and startling picture which, though flawed, does justice to the extraordinary and scarcely believable drama of his own situation and the agony of his homeland.
It’s a movie about Iranian officialdom’s misogyny and theocracy, and sets out to intuit and externalise the inner anguish and psychodrama of its dissenting citizens – in a country where women can be judicially bullied and beaten for refusing to wear the hijab.
The Seed of the Sacred Fig begins as a downbeat political and domestic drama in the familiar style of Iranian cinema,...
Mohammad Rasoulof is a fugitive Iranian director and dissident wanted by the police in his own country, where he has received a long prison sentence and flogging. Now he has come to Cannes with a brazen and startling picture which, though flawed, does justice to the extraordinary and scarcely believable drama of his own situation and the agony of his homeland.
It’s a movie about Iranian officialdom’s misogyny and theocracy, and sets out to intuit and externalise the inner anguish and psychodrama of its dissenting citizens – in a country where women can be judicially bullied and beaten for refusing to wear the hijab.
The Seed of the Sacred Fig begins as a downbeat political and domestic drama in the familiar style of Iranian cinema,...
- 5/24/2024
- by Peter Bradshaw
- The Guardian - Film News
For more than two decades, Iman (Misagh Zare) has functioned as a civil servant, doing work that his kids — who represent Iran’s younger generation — would be ashamed of. Better to keep them in the dark. At last, for his loyalty, Iman has been given a promotion, not to judge (the job he wants) but to inspector (a job no one wants). Inspectors are the goons who interrogate students his daughters’ age when they’re arrested for protesting, the ones who sign off on death sentences for alleged dissidents. Iman doesn’t just work for the Iranian regime; he is the regime.
With livid, thinking-man’s thriller “The Seed of the Sacred Fig,” director Mohammad Rasoulof responds to his own imprisonment in 2022 by examining Iranian tensions within the context of a well-placed Tehran family. For most of this slow-boiling, nearly-three-hour movie, the main character is not Iman but his submissive,...
With livid, thinking-man’s thriller “The Seed of the Sacred Fig,” director Mohammad Rasoulof responds to his own imprisonment in 2022 by examining Iranian tensions within the context of a well-placed Tehran family. For most of this slow-boiling, nearly-three-hour movie, the main character is not Iman but his submissive,...
- 5/24/2024
- by Peter Debruge
- Variety - Film News
“The Seed of the Sacred Fig” is an anguished cry from the heart of Mohammad Rasoulof, the Iranian filmmaker who just fled his home country for Europe after an eight-year prison sentence from the Islamic Republic. This is not the first brush with theocratic law for the dissident director, who’s been working steadily out of Iran for two decades.
So while Iran will never, ever submit his deeply unsettling latest masterwork for the Best International Feature Oscar — often the only harbinger of anti-establishment Middle Eastern films making their way to the U.S. — this searing domestic thriller deserves the widest audience possible. With the brutal 2022 killing of Mahsa Amini by government hands as his launching point, Rasoulof crafts an extraordinarily gripping allegory about the corrupting costs of power and the suppression of women under a religious patriarchy that crushes the very people it claims to protect.
“Sacred Fig” arose...
So while Iran will never, ever submit his deeply unsettling latest masterwork for the Best International Feature Oscar — often the only harbinger of anti-establishment Middle Eastern films making their way to the U.S. — this searing domestic thriller deserves the widest audience possible. With the brutal 2022 killing of Mahsa Amini by government hands as his launching point, Rasoulof crafts an extraordinarily gripping allegory about the corrupting costs of power and the suppression of women under a religious patriarchy that crushes the very people it claims to protect.
“Sacred Fig” arose...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
From politics to buzz films, star appearances and deal making, there was – as always – plenty to talk about at this year’s Cannes Film Festivals. Screen gathers together the major discussion points of this year’s festival.
Muted politics
In the build-up to Cannes, there was much talk about how this year’s festival was set to be the most politically charged edition of recent years, amid Israel’s war on Gaza, festival workers threatening strike action and rumours of bombshell #MeToo accusations set to rock the French industry. The result was far more muted, with the #MeToo accusations quickly...
Muted politics
In the build-up to Cannes, there was much talk about how this year’s festival was set to be the most politically charged edition of recent years, amid Israel’s war on Gaza, festival workers threatening strike action and rumours of bombshell #MeToo accusations set to rock the French industry. The result was far more muted, with the #MeToo accusations quickly...
- 5/24/2024
- ScreenDaily
Franz Rogowski and Barry Keoghan are only in one scene together in Andrea Arnold’s “Bird,” but you wouldn’t know it seeing them together at Cannes.
Rogowski, the breakout New York Film Critics-winning lead of “Passages,” and Keoghan, the Oscar-nominated “Banshees of Inisherin” star turned “Saltburn” meme machine, play roles in “Bird” that demanded a lot from the actors without much in the way of a script. The Cannes competition premiere centers on 12-year-old Bailey (newcomer Nykiya Adams), coming of age and confused about her identity on the fringes in a middle-of-nowhere England, living with her father Bug (Keoghan) on the other side of town from her mother and two sisters. And on the verge of puberty.
Barely coping with life and the news that her father is about to marry a woman he’s known for only three months, Bailey meets Bird (Rogowski), a vagabond who drifts into...
Rogowski, the breakout New York Film Critics-winning lead of “Passages,” and Keoghan, the Oscar-nominated “Banshees of Inisherin” star turned “Saltburn” meme machine, play roles in “Bird” that demanded a lot from the actors without much in the way of a script. The Cannes competition premiere centers on 12-year-old Bailey (newcomer Nykiya Adams), coming of age and confused about her identity on the fringes in a middle-of-nowhere England, living with her father Bug (Keoghan) on the other side of town from her mother and two sisters. And on the verge of puberty.
Barely coping with life and the news that her father is about to marry a woman he’s known for only three months, Bailey meets Bird (Rogowski), a vagabond who drifts into...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
Witness her: “Furiosa: A Mad Max Saga” is off to the races at the box office this holiday weekend.
Director George Miller’s R-rated prequel to “Mad Max: Fury Road” has made $3.5 million in previews so far. The Warner Bros. action film is expected to bring in $40 million to $45 million over the four-day Memorial Day weekend, roughly the same as what “Fury Road” made across three days in 2015.
“Fury Road,” which starred Tom Hardy as wasteland warrior Max Rockatansky and introduced Charlize Theron as the badass driver Imperator Furiosa, opened with $45.4 million after $3.7 million in Thursday previews.
“Furiosa” winds back the clock and stars Anya Taylor-Joy as a younger version of Theron’s character. It shows how she became a fearless sharpshooter working for the evil Immortan Joe and his War Boys, later seen in “Fury Road.” Chris Hemsworth also stars as Dementus, the leader of a pack of biker warriors.
Director George Miller’s R-rated prequel to “Mad Max: Fury Road” has made $3.5 million in previews so far. The Warner Bros. action film is expected to bring in $40 million to $45 million over the four-day Memorial Day weekend, roughly the same as what “Fury Road” made across three days in 2015.
“Fury Road,” which starred Tom Hardy as wasteland warrior Max Rockatansky and introduced Charlize Theron as the badass driver Imperator Furiosa, opened with $45.4 million after $3.7 million in Thursday previews.
“Furiosa” winds back the clock and stars Anya Taylor-Joy as a younger version of Theron’s character. It shows how she became a fearless sharpshooter working for the evil Immortan Joe and his War Boys, later seen in “Fury Road.” Chris Hemsworth also stars as Dementus, the leader of a pack of biker warriors.
- 5/24/2024
- by Jordan Moreau
- Variety - Film News
Ever wondered how he went from being a doctor to narrating You’ve Been Framed!? Here’s your chance to ask the big-collared comedian, writer and TV host about Branston Pickle, badgers and his Blair rock opera
Originally a doctor and still a registered medical practitioner, Harry Hill cemented his career as a spectacle-wearing, large-collared standup by winning the Perrier Best Newcomer award at Edinburgh in 1992. More than 30 years on, and he’s just announced his New Bits & Greatest Hits tour, celebrating “60 years of fun” ahead of the milestone birthday next year.
Hill has written a novel, a collection of short stories and a (fictional) autobiography. His new book, How To Be Silly Every Day of the Year, is out in October. He’s co-written two musicals – I Can’t Sing! The X Factor Musical (2014) and Tony! – A Tony Blair Rock Opera (2021). He’s hosted a spoof podcast – Harry Hill’s Noise,...
Originally a doctor and still a registered medical practitioner, Harry Hill cemented his career as a spectacle-wearing, large-collared standup by winning the Perrier Best Newcomer award at Edinburgh in 1992. More than 30 years on, and he’s just announced his New Bits & Greatest Hits tour, celebrating “60 years of fun” ahead of the milestone birthday next year.
Hill has written a novel, a collection of short stories and a (fictional) autobiography. His new book, How To Be Silly Every Day of the Year, is out in October. He’s co-written two musicals – I Can’t Sing! The X Factor Musical (2014) and Tony! – A Tony Blair Rock Opera (2021). He’s hosted a spoof podcast – Harry Hill’s Noise,...
- 5/24/2024
- by Rich Pelley
- The Guardian - Film News
It’s been a rather dreadful year for big Netflix original sci-fi films in 2024, and “Atlas,” the big event science-fiction dystopian thriller from director Brad Peyton (2015’s “San Andreas” and “Rampage”), won’t change that narrative in the slightest. Set in a conventionally bleak dystopian future—aren’t they all?— “Atlas” is rote and routine, using the concept of sci-fi and artificial intelligence in the most obvious way: A.I.
Continue reading ‘Atlas’ Review: Jennifer Lopez’s Hackneyed Sci-Fi Thriller About A.I. Trust Is Utterly Dire & Disposable at The Playlist.
Continue reading ‘Atlas’ Review: Jennifer Lopez’s Hackneyed Sci-Fi Thriller About A.I. Trust Is Utterly Dire & Disposable at The Playlist.
- 5/24/2024
- by Rodrigo Perez
- The Playlist
This article contains spoilers for "Furiosa."
In the medium of cinema, sequels still feel like a relatively recent phenomenon, especially as studios continue to seek to exploit intellectual property and squeeze as much blood (re: money) out of the same stone as possible. Yet despite the obvious capitalistic aims of film franchises, cinematic universes, and what have you, the tradition of continuing a story and/or telling new tales featuring evergreen characters is very ancient.
The "Mad Max" films, as conceived by the series' mastermind, George Miller, deliberately seek to continue those ancient, mythical traditions of storytelling rather than service more modern concepts of how to present a serialized narrative. Of course, this may not have always been the case, given that the original "Mad Max" from 1979 was made partially to exploit then-popular trends like the criminal biker film, the vigilante action movie, and so on. Certainly, beginning with 1981's...
In the medium of cinema, sequels still feel like a relatively recent phenomenon, especially as studios continue to seek to exploit intellectual property and squeeze as much blood (re: money) out of the same stone as possible. Yet despite the obvious capitalistic aims of film franchises, cinematic universes, and what have you, the tradition of continuing a story and/or telling new tales featuring evergreen characters is very ancient.
The "Mad Max" films, as conceived by the series' mastermind, George Miller, deliberately seek to continue those ancient, mythical traditions of storytelling rather than service more modern concepts of how to present a serialized narrative. Of course, this may not have always been the case, given that the original "Mad Max" from 1979 was made partially to exploit then-popular trends like the criminal biker film, the vigilante action movie, and so on. Certainly, beginning with 1981's...
- 5/24/2024
- by Bill Bria
- Slash Film
Brainy political lightning rod Oliver Stone isn’t making feature films anymore. Sure, he’d love to add a 21st to his 20 films to date; he just can’t find backers. His alternate route, like many other directors today, from fellow Cannes entrant Ron Howard (“Jim Henson: Idea Man”) to Martin Scorsese, is documentaries.
Stone has churned out a career total of ten, including recent 2021 Cannes entry “JFK Revisited” (Showtime) and 2022 eco-doc “Nuclear” (Abramorama). His latest, “Lula,” marks a move to the left from his much-criticized recent portraits of right-wing leaders such as Cuba’s Fidel Castro (HBO’s “Comandante”) and Russia’s Vladimir Putin (Showtime’s four-part “The Putin Interviews”).
Since his start as a filmmaker in the 1970s, the Yale-grad-turned-Vietnam-vet, now 77, has leaned into political fiction, from “Salvador,” “Wall Street,” and “W.,” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,...
Stone has churned out a career total of ten, including recent 2021 Cannes entry “JFK Revisited” (Showtime) and 2022 eco-doc “Nuclear” (Abramorama). His latest, “Lula,” marks a move to the left from his much-criticized recent portraits of right-wing leaders such as Cuba’s Fidel Castro (HBO’s “Comandante”) and Russia’s Vladimir Putin (Showtime’s four-part “The Putin Interviews”).
Since his start as a filmmaker in the 1970s, the Yale-grad-turned-Vietnam-vet, now 77, has leaned into political fiction, from “Salvador,” “Wall Street,” and “W.,” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,...
- 5/24/2024
- by Anne Thompson
- Indiewire
Fifty years on, a documentary revisits the Romanian player’s stroppy ascent to international stardom
“We’d never seen a player like this,” says one contributor. “When Ilie was on the court, something was always happening,” says another. They are talking in a new documentary about Ilie Năstase, the original bad boy of tennis in the early 70s, which is screening at the Cannes film festival on Friday.
The film’s title is Nasty, the nickname that quickly attached itself to Năstase, whose on-court antics, petulant complaints and confrontations with umpires were barely thinkable in what had previously been a staid and well-behaved sport dominated by amateurism. The “open” era, in which grand slam tournaments started to offer prize money and allow professional players to compete alongside amateurs, had only started a few years earlier in 1968, and Năstase became one of the first high-profile beneficiaries.
“We’d never seen a player like this,” says one contributor. “When Ilie was on the court, something was always happening,” says another. They are talking in a new documentary about Ilie Năstase, the original bad boy of tennis in the early 70s, which is screening at the Cannes film festival on Friday.
The film’s title is Nasty, the nickname that quickly attached itself to Năstase, whose on-court antics, petulant complaints and confrontations with umpires were barely thinkable in what had previously been a staid and well-behaved sport dominated by amateurism. The “open” era, in which grand slam tournaments started to offer prize money and allow professional players to compete alongside amateurs, had only started a few years earlier in 1968, and Năstase became one of the first high-profile beneficiaries.
- 5/24/2024
- by Andrew Pulver
- The Guardian - Film News
Would it be a Benoit Blanc mystery if the movie title wasn’t a pop-rock song? Rian Johnson continues that trend with the name of his latest “Knives Out” mystery. This time, it’s a U2 track: “Wake Up Dead Man,” from the band’s 1997 album “Pop.”
Read More: ‘Glass Onion’: Rian Johnson May Keep Making ‘Knives Out’ Sequels As Long As He And Daniel Craig “Are Still Having Fun”
Johnson and Netflix revealed the title this morning with an unannounced YouTube video, which doesn’t provide much intel on the upcoming movie except a brief voiceover from Daniel Craig as Blanc.
Continue reading ‘Wake Up Dead Man’: Rian Johnson & Netflix Reveal The Title For Their Next ‘Knives Out’ Mystery at The Playlist.
Read More: ‘Glass Onion’: Rian Johnson May Keep Making ‘Knives Out’ Sequels As Long As He And Daniel Craig “Are Still Having Fun”
Johnson and Netflix revealed the title this morning with an unannounced YouTube video, which doesn’t provide much intel on the upcoming movie except a brief voiceover from Daniel Craig as Blanc.
Continue reading ‘Wake Up Dead Man’: Rian Johnson & Netflix Reveal The Title For Their Next ‘Knives Out’ Mystery at The Playlist.
- 5/24/2024
- by Ned Booth
- The Playlist
George Lucas doesn’t think “Star Wars” is colorblind. In fact, the writer/director wants to remind audiences that the space-set film franchise is dealing with robots and aliens, not race.
While receiving the honorary Palme d’Or in the closing night ceremony at Cannes 2024, Lucas called out critics who complained about the predominantly white casting of the franchise.
“They would say, ‘It’s all white men,'” Lucas said. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
In fact, Lucas pointed to how the only species discrimination is between humans, aliens, and robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
While receiving the honorary Palme d’Or in the closing night ceremony at Cannes 2024, Lucas called out critics who complained about the predominantly white casting of the franchise.
“They would say, ‘It’s all white men,'” Lucas said. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
In fact, Lucas pointed to how the only species discrimination is between humans, aliens, and robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
- 5/24/2024
- by Samantha Bergeson
- Indiewire
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“The Beach Boys,” a documentary about the iconic band, is now streaming Disney+.
The doc is described as “a celebration of the legendary band that revolutionized pop music and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.”
Stream 'The Beach Boys' On Disney+ $9.99/Month
“The Beach Boys” includes never-before-seen footage and new interviews with band members Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston, as well as music stars like Lindsey Buckingham, Janelle Monáe, Ryan Tedder and Don Was. Former members Blondie Chaplin and Ricky Fataar are also participating, and the late Carl and Dennis Wilson will be heard from in archival interviews.
Directed by Frank Marshall and Thom Zimny, “The Beach Boys” was...
“The Beach Boys,” a documentary about the iconic band, is now streaming Disney+.
The doc is described as “a celebration of the legendary band that revolutionized pop music and the iconic, harmonious sound they created that personified the California dream, captivating fans for generations and generations to come.”
Stream 'The Beach Boys' On Disney+ $9.99/Month
“The Beach Boys” includes never-before-seen footage and new interviews with band members Brian Wilson, Mike Love, Al Jardine, David Marks and Bruce Johnston, as well as music stars like Lindsey Buckingham, Janelle Monáe, Ryan Tedder and Don Was. Former members Blondie Chaplin and Ricky Fataar are also participating, and the late Carl and Dennis Wilson will be heard from in archival interviews.
Directed by Frank Marshall and Thom Zimny, “The Beach Boys” was...
- 5/24/2024
- by Ellise Shafer
- Variety - Film News
"Knives Out" was an anomaly. The 2019 film was a mid-budget movie with a fantastic cast of recognizable names that nevertheless did not bank on one specific A-lister, became a huge hit with audiences and critics alike, and became a franchise organically rather than planning sequels before the first even debuted. Of course, it helps that the film had a compelling and simple premise, a great comedic tone, a director with a clear vision, and a delightful characters including the one-in-a-decade great Benoit Blanc.
Rian Johnson's murder mysteries take inspiration from Agatha Christie novels, "Columbo," and even underseen 1970s murder mysteries to deliver compelling stories that — much like Christie's work — use archetypal characters to comment on issues of today. After looking at Radiohead for inspiration for the first movie's title and The Beatles for inspiration for the title of "Glass Onion: A Knives Out Mystery," Johnson is rounding out this trilogy by looking at U2.
Rian Johnson's murder mysteries take inspiration from Agatha Christie novels, "Columbo," and even underseen 1970s murder mysteries to deliver compelling stories that — much like Christie's work — use archetypal characters to comment on issues of today. After looking at Radiohead for inspiration for the first movie's title and The Beatles for inspiration for the title of "Glass Onion: A Knives Out Mystery," Johnson is rounding out this trilogy by looking at U2.
- 5/24/2024
- by Rafael Motamayor
- Slash Film
Translating film titles for international markets can be a commercial necessity, but magic is often lost in the process. It’s hard to think of a more perfect name for Gilles Lelouche’s latest movie than “L’amour ouf,” which punchily captures the bruising nature of the love story at its heart. The clue is in the wordplay: If l’amour fou is an affliction of the mind, l’amour ouf tells us the force we’re dealing with is rather more physical, perhaps even painful.
Squint, though, and “Beating Hearts,” the anglophone title that seems sentimental by comparison, suggests not just life but flagellation. It befits a film that contains its fair share of bloody thrashings over the course of some 20 years in the lives of its star-crossed protagonists, whose love is battered at the peak of their relationship by a miscarriage of justice that goes on to change everything — and nothing — between them.
Squint, though, and “Beating Hearts,” the anglophone title that seems sentimental by comparison, suggests not just life but flagellation. It befits a film that contains its fair share of bloody thrashings over the course of some 20 years in the lives of its star-crossed protagonists, whose love is battered at the peak of their relationship by a miscarriage of justice that goes on to change everything — and nothing — between them.
- 5/24/2024
- by Arjun Sajip
- Indiewire
Rian Johnson has officially confirmed the title of Netflix’s “Knives Out 3.”
The writer/director announced the third installment as “Wake Up Dead Man” on social media Friday morning. Daniel Craig reprises his role of detective Benoit Blanc in the anthology film series, produced by Johnson and Ram Bergman. Craig narrates the video, saying, “In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed.”
Johnson additionally tweeted, “We’re about to go into production on the 3rd one, and I’m very, very excited to share the title, which gives a little hint of where it’s going.”
The writer/director also shared why he loves whodunits like the Agatha Christie stories that inspired the franchise.
“I love everything about whodunnits, but one of the things I love most is how malleable the genre is,...
The writer/director announced the third installment as “Wake Up Dead Man” on social media Friday morning. Daniel Craig reprises his role of detective Benoit Blanc in the anthology film series, produced by Johnson and Ram Bergman. Craig narrates the video, saying, “In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed.”
Johnson additionally tweeted, “We’re about to go into production on the 3rd one, and I’m very, very excited to share the title, which gives a little hint of where it’s going.”
The writer/director also shared why he loves whodunits like the Agatha Christie stories that inspired the franchise.
“I love everything about whodunnits, but one of the things I love most is how malleable the genre is,...
- 5/24/2024
- by Samantha Bergeson
- Indiewire
“Super Size Me” director Morgan Spurlock is dead at the age of 53 following a battle with cancer, according to a family statement provided to Deadline.
The Academy Award nominee “passed away peacefully in New York surrounded by family and friends,” the statement read. “Morgan gave so much through his art, ideas, and generosity,” his brother Craig Spurlock is quoted as saying.
Spurlock shot to fame with this 2004 documentary “Super Size Me,” which took a personality-driven approach to examining the way that corporate America incentivizes unhealthy eating as epitomized by McDonald’s then-promotion to “super size” portion sizes for french fries and soft drinks. Following in the wake of Michael Moore, Spurlock adopted a style of putting himself on camera as the host leading his viewers through an exploration of the subject. It was a stunt as well: For the documentary, he engaged in eating only McDonald’s food for 30 days.
That...
The Academy Award nominee “passed away peacefully in New York surrounded by family and friends,” the statement read. “Morgan gave so much through his art, ideas, and generosity,” his brother Craig Spurlock is quoted as saying.
Spurlock shot to fame with this 2004 documentary “Super Size Me,” which took a personality-driven approach to examining the way that corporate America incentivizes unhealthy eating as epitomized by McDonald’s then-promotion to “super size” portion sizes for french fries and soft drinks. Following in the wake of Michael Moore, Spurlock adopted a style of putting himself on camera as the host leading his viewers through an exploration of the subject. It was a stunt as well: For the documentary, he engaged in eating only McDonald’s food for 30 days.
That...
- 5/24/2024
- by Christian Blauvelt
- Indiewire
George Lucas got candid about criticism of the first six “Star Wars” films during a conversation at the Cannes Film Festival on Friday.
When speaking about the success of the franchise ahead of receiving the festival’s honorary Palme d’Or, Lucas reflected on some of the negative comments he’s received over the years.
“They would say, ‘It’s all white men,'” Lucas said of the films’ critics. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
Lucas went on to say that the only beings in the “Star Wars” universe who were discriminated against were the robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
When speaking about the success of the franchise ahead of receiving the festival’s honorary Palme d’Or, Lucas reflected on some of the negative comments he’s received over the years.
“They would say, ‘It’s all white men,'” Lucas said of the films’ critics. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
Lucas went on to say that the only beings in the “Star Wars” universe who were discriminated against were the robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
- 5/24/2024
- by Ellise Shafer
- Variety - Film News
US documentary filmmaker Morgan Spurlock has died at the age of 53.
The director, best known for his Oscar-nominated film Super Size Me, died from complications with cancer on May 23, his family said in a statement.
Spurlock began his career as a playwright before rising to international prominence with his fast food documentary Super Size Me, about McDonalds, which premiered at Sundance in 2004 and garnered several accolades including best documentary screenplay from the Writers Guild of America.
His other documentaries include Where In The World Is Osama Bin Laden?; The Greatest Movie Ever Sold; and Super Size Me 2: Holy Chicken!...
The director, best known for his Oscar-nominated film Super Size Me, died from complications with cancer on May 23, his family said in a statement.
Spurlock began his career as a playwright before rising to international prominence with his fast food documentary Super Size Me, about McDonalds, which premiered at Sundance in 2004 and garnered several accolades including best documentary screenplay from the Writers Guild of America.
His other documentaries include Where In The World Is Osama Bin Laden?; The Greatest Movie Ever Sold; and Super Size Me 2: Holy Chicken!...
- 5/24/2024
- ScreenDaily
Benoit Blanc is back to solve another mystery in Rian Johnson’s third “Knives Out” film, titled “Wake Up Dead Man.”
Johnson announced the title, along with a 2025 release date, in a teaser posted to X Friday morning.
“In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed,” narrates Daniel Craig in the 45-second video, referencing the first two titles of the murder mystery franchise, 2019’s “Knives Out” and 2022’s “Glass Onion.”
“Wake Up Dead Man” will be distributed by Netflix as part of Johnson’s two-sequel deal with the streamer, worth $450 million. Despite the first film, distributed by Lionsgate, grossing $312 million at the global box office, Netflix put out “Glass Onion” with only a limited theatrical release, collecting a mere $13 million before launching it on streaming.
Johnson sent the internet into a frenzy early Friday...
Johnson announced the title, along with a 2025 release date, in a teaser posted to X Friday morning.
“In the beginning, the knives came out. Then, behold, the glass was shattered. But my most dangerous case yet is about to be revealed,” narrates Daniel Craig in the 45-second video, referencing the first two titles of the murder mystery franchise, 2019’s “Knives Out” and 2022’s “Glass Onion.”
“Wake Up Dead Man” will be distributed by Netflix as part of Johnson’s two-sequel deal with the streamer, worth $450 million. Despite the first film, distributed by Lionsgate, grossing $312 million at the global box office, Netflix put out “Glass Onion” with only a limited theatrical release, collecting a mere $13 million before launching it on streaming.
Johnson sent the internet into a frenzy early Friday...
- 5/24/2024
- by Ethan Shanfeld
- Variety - Film News
Korean Oscar-winning actor Youn Yuh-jung has been the focus of attention for the past week as the subject of a retrospective series at The Academy Museum in Los Angeles.
Youn came to the attention of many late in her career playing the grandmother role in Lee Isaac Chung’s “Minari.” But her entertainment history dates back to one of Korean cinema’s golden eras and a screen-scorching 1971 debut in legendary director Kim Ki-young’s “Woman of Fire.”
“Youn refused to compromise her practice to serve the patriarchal systems which dominate the majority of mainstream cinema in Korea. As an iconic figure and role model to many actors in Korea, Youn continues to push boundaries in her incredible scope of storytelling, routed through her bold and forthright perception of each character she portrays,” says the Academy’s notes to the seven-film series.
What that fails to convey is Youn’s down-to-earth pragmatism,...
Youn came to the attention of many late in her career playing the grandmother role in Lee Isaac Chung’s “Minari.” But her entertainment history dates back to one of Korean cinema’s golden eras and a screen-scorching 1971 debut in legendary director Kim Ki-young’s “Woman of Fire.”
“Youn refused to compromise her practice to serve the patriarchal systems which dominate the majority of mainstream cinema in Korea. As an iconic figure and role model to many actors in Korea, Youn continues to push boundaries in her incredible scope of storytelling, routed through her bold and forthright perception of each character she portrays,” says the Academy’s notes to the seven-film series.
What that fails to convey is Youn’s down-to-earth pragmatism,...
- 5/24/2024
- by Patrick Frater
- Variety - Film News
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