Boy Kills World (2023) Poster

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7/10
I hate to compare, but here I am comparing.
ghettoplex29 April 2024
Here we are in 2024 with another revenge film. I had just seen Monkey Man over a month ago, a revenge film which I also enjoyed.

Boy Kills World was already on my radar, before watching Monkey Man, but I didn't think I would be in a situation where I would be comparing the two. Until now, after watching Boy Kills World.

Without spoilers, both men go through a similar journey of a traumatic event happening in their childhood. With Monkey Man being more of a drama and Boy Kills World being more of a comedy.

However, I will say Boy Kills World has a more creative narrative structure and stronger choreography than Monkey Man. It also has replay value, I will definitely watch Boy Kills World again, much sooner than revisiting Monkey Man.
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7/10
Surprisingly fresh
neyumi23 April 2024
This movie is narrated by H. Jon Benjamin. If that doesn't tell you exactly what kind of movie this is, let me explain:

This is what Archer would be if it was a little more dramatic and a lot more bloody.

Oldboy if it were half as brilliant with a little bit of slapstick thrown in.

The Hunger Games if it didn't treat death and murder was all that bad - like it was written by a gamer of the FPS variety.

Did I cringe at the squelching bloody noises? Yes. Did I laugh out loud in the theater? Also yes. Was the revenge story worthwhile? I think so. Outside all of the action, the story was not terrible, and the characters had character. Worth a watch, but doubt it'll change anyone's life.
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5/10
entertaining, well-acted, but surprisingly disappointing
stevencayer28 April 2024
It's not every day I leave a movie feeling surprisingly disappointed. BOY KILLS WORLD is the new bloody action comedy, the feature-length directorial debut of Moritz Mohr. It's actually based on a short film he made, of the same name. It tells the tale of Boy (Bill Skarsgård), whose family is executed by the tyrannical Van Der Koy family, leaving him deaf and mute. Trained by a mysterious shaman (Yayan Ruhian from the RAID movies), he goes on the well-tread path of revenge. I enjoyed some of this movie. It has a very talented cast, including Michelle Dockery from DOWNTON ABBEY, Brett Gilman from STRANGER THINGS, Sharlto Copley from DISTRICT 9, and H. Jon Benjamin as Boy's inner voice. As a fan of both ARCHER and BOB'S BURGERS, every time I hear Jon's voice, I smile. It's a shame that this movie didn't have a better screenplay. It really dragged the experience down. The fight choreography was fun and inventive, when the camera wasn't shaking around the scene. It became clear that the director was inspired by video games and the HUNGER GAMES, with some JOHN WICK thrown into the mix. The tone is all over the place. The humour almost never sticks the landing, except for one recurring bit involving failed lip reading. The story becomes overly complex for what it should be. With a lack of character development and world-building, it never really pulled me in. I think you should definitely see BOY KILLS WORLD, maybe don't spend your hard-earned money on it.
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7/10
A full-throttle romp into absolute mayhem
courtrainacorn23 April 2024
I got the chance to see this movie early at an AMC Unseen Screen event -- and considering I was walking in thinking they were going to show the new Amy Winehouse biopic -- I was pleasantly surprised when we got our opening shots and realized I was in for a much different ride than I'd previously anticipated.

My immediate reaction is to compare Boy Kills World to John Wick -- it's certainly just as bloody. But the continuous underlying thread of humor throughout this movie juxtaposed with the gratuitous violence puts it more into the realm of Bullet Train in my mind.

Bill Skarsgård's physical acting paired with H. Jon Benjamin's voice acting was a matchup I never knew I needed in my life. There were several times where I genuinely laughed out loud -- even when the next scene was a quick crash to someone getting their head smooshed. They did a great job blending the action with the comedy while still getting you to care about the main character and his plight.

Definitely not for the weak of heart or stomach -- but if you're looking for a bloody fun romp through absolute mayhem that doesn't require much from you as a viewer, then you've found your film. I just saw it last night and I still say I'd for sure go see it again, even so soon after viewing.
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7/10
Lots of blood, quite a few laughs.
Lomax34329 April 2024
Boy (That's his name) witnesses the murder of his family at the hands of goons who work for the dysfunctional crime family who run a dystopian city at an unspecified location and date. Boy is rescued by the Shaman, who subjects him to a brutal regime of martial arts training, so that he grows up to be a lethal killing machine (Bill Skarsgard), whose sole purpose is revenge.

So far, so seen-it-all-before, so yada-yada-yada. Boy Kills World, however, brings enough originality to the old tropes that the viewer is happy to go along with things as they take increasingly-bizarre turns. To start with, Boy is a deaf-mute. He can read lips, and hears a voice-over in his head. He's also haunted by the ghost of his younger sister, who acts as his guide and moral conscience.

Naturally, he embarks on his elaborate revenge, leaving a trail of bodies killed in inventive and extremely bloody ways. There's a lot of John Wick, and a big slice of The Running Man. There are also a surprising number of laughs, with great comedic performances from Brett Gelman, Isaiah Mustafa, Sharlto Copley and Andrew Koji. Gotta love June27 as well.

As you'd expect, there's also a twist at the end, but it's twisty enough to pack a punch.

This is not high art. This is not a film that rewards analysis. Nothing about it is outstanding, and its plot-holes have plot-holes. If, however, you can switch your brain off and go long for the ride, it's a wild and satisfying one.
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6/10
Blood Drenched, Hyper Violent, Intense Action Pic That Plays More Like a Rated M Video Game Than a Film
RightOnDaddio23 April 2024
It's called Boy Kills World, not Boy Meets World. So as not to get those two titles confused. It can happen, until you sit down to watch this one.

It's not going to be confused with any arthouse, fancy cinema fare, either.

There is an audience for this and they will be completely entertained and walk out of this experience totally satisfied.

I'm just not a part of that audience.

It's a decent flick.

Just based on the inspired casting and the look of the whole movie alone, it has to be a six.

But I have to stop there.

If you're well versed in action films that predate, I'd say, 2010, then you've seen this movie before and with better execution and certainly a better, more detailed storyline.

The fight sequences are solid but the rest of it is not.

The protagonist is a deaf mute who's hellbent on revenge.

Only we hear his inner thoughts.

A lot.

He talks so much in voiceover that it gets old super quick and it never stops.

The whole movie.

A quip here.

A deep thought there.

Thoughts on this. Thoughts on that.

He may be kicking major butts but he's a regular chatty Cathy on the inside.

Good grief.

There's still things to love about this movie.

Famke Janssen (Rounders), Michelle Dockery (Downton Abbey) two of my all time crushes.

Love them still and love them both here. Lots.

Yayan Ruhian (The stellar Raid films) and Brett Gelman (The Other Guys, Stranger Things) Love those dudes!

And I totally get Bill Skarsgard trying TJ distance himself from It, and rip himself up for this role.

But as good as this movie looks, and everybody in here is good in their parts.

It's just not a great movie.

It could be great with better writing and less voiceover.

There are far superior movies out there about vengeance.

Boy not only Kills World, he kills this movie.

Oddly enough, as I consumed this film, it reminded me of a few female driven action movies of the last thirty years or so: Tank Girl, Aeon Flux, and Ultraviolet.

I won't even bother to explain it but it just does.

There is an end scene of some substance that's worth sticking around for.
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6/10
Very, very odd and excessively gory, I think it would have worked better as an animation.
sbweightman27 April 2024
The setting is similar to the Hunger Games with its totalitarian state, televised culling, opulent ruling class and underdog revolutionaries but it's a bit tone deaf, swinging between quirky black humour and serious political issues. The plot has one too many surprises and pacing issues and it doesn't really develop its larger than life characters, although they do look quite iconic. The fight scenes were mostly good if completely unbelievable with plenty over the top violence - one in particular was very bizarre and entertaining - but something about them, and the production as a whole, looked and felt off.
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9/10
stylish, fresh, funny, deep, refreshingly new, and full of surprises
Blue-Grotto27 September 2023
In a cruel and unjust society of the future a shaman of the forest raises an orphaned city boy who he snatched from a murderous female dictator. The boy is trained for one thing: revenge. The shaman and the boy both are similarly motivated in this task as they each lost their families to the same gang of ruthless thugs.

Inspired by a smattering of graphic novels, Boy Kills World is stylish, fresh, funny, deep, refreshingly new, and full of surprises. The fight scenes are kinetic, realistic, and authentic. Novel action sequences include a shredding with a cheese grater and an anvil to the face. The characters are multi-dimensional and intriguing. They are portrayed by wonderful actors including Yayan Ruhian (shaman), Bill Skarsgard (boy), and Jessica Rothe (June 27).

Interestingly, the film combines American, Asian, and European action preferences, and was shot in Africa. I needed the director, Moritz Mohr, to point this out to me and could not recognize this myself. Mohr attended the question-and-answer session after the world premiere screening at the Toronto International Film Festival.

The story and themes were extremely compelling. The film really made me think about how the media influences national narratives and cult followings. Media influencers make a crazy and malevolent person seem like a hero (just look around today). I loved this film. We even received delicious macaroons as we exited the theater (boy has a soft spot for macaroons).
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6/10
Gory, but missing something
crazyperson-1019329 April 2024
I wanted to like this more than I did.

The fight scenes were fun, and the gore was excessive, but I couldn't bring myself to care all that much.

I think it might have to do with the mismatch between John Benjamin's voice and the actor playing the boy.

I couldn't quite reconcile them as being the same person so it felt like the entire movie was being narrated like MSTK or something.

Also some of the shaky camera fights were hard to make out in between limbs breaking.

I was relieved to see a new IP and it deserves to be supported, but I would say this was more of a rental or even a matinee movie.
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4/10
Violent but vapid.
BA_Harrison1 May 2024
After his family are killed by a tyrannical post-apocalyptic dynasty, a young boy is trained by a mysterious shaman (Yayan Ruhian) to become a deadly assassin hellbent on revenge. Grown up and ready for action, the Boy (Bill Skarsgård) teams up with resistance fighters Basho (Andrew Koji) and Bennie (Isaiah Mustafa) to try and kill the head of the dynasty, the wicked Hilda Van Der Koy (Famke Janssen).

I love a brutal revenge movie, and God knows this one doesn't shy away from the graphic violence, but the script is incredibly weak, while the comic book approach, with its offbeat humour and crazy characters, strives too hard for cult appeal. The film relies very heavily on its kooky comedy, most of which falls flat; it is, more often than not, very irritating, particularly the Boy's inner voice, his imaginary little sister Mina (Quinn Copeland), and Mustafa's incomprehensible Bennie.

Fortunately, the frequent action is, for the most part, well handled, with a nasty fight involving a cheese grater, an impressive scene with a mini-gun, and a suitably hard-hitting and bloody two-against-one final fight in the villain's bunker (those claws gouging their flesh - yowch!). I can't help but think that if the film had been played more seriously, minus the lame attempts at being wacky, it would have been a far more satisfying watch.
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8/10
Knows exactly what it is
masonsaul30 April 2024
Boy Kills World is a total blast. A winning combination of brutal violence and weird humour tied together in a story that does enough to make you care about the characters. It moves efficiently, has some clever twists and an unforgettable fight involving a cheese grater. Like all the best action comedies, the zany humour disguises the beating heart at the centre.

Bill Skarsgård proves he doesn't need dialogue to communicate. He can do so much with just his eyes and the fact that it all syncs up really well with H. Jon Benjamin's suitably over the top voice over is just a bonus. Plus he has an adorable rapport with Quinn Copeland. Andrew Koji isn't given a chance to show off his physical prowess but is given the time to show how surprisingly great he is at comedy.

Mortiz Mohr's direction nails the balance between self awareness and sincerity, translating some of the language of video games to cinema effectively. With cinematography by Peter Matjasko, the camera moves with the action rather than against it. It's always fluid and bloody inventive, saving the best fight for last. It's the kind of final fight where the choreography is impeccable, the blows are nasty and it goes on for so long it's exhausting in the best ways.
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7/10
Thoroughly entertaining action
ethanbresnett17 May 2024
Boy Kills World joins many of these 'one person crusade' type films, and I must say it is a pretty presentable example of the genre.

The most important thing with any of these films is the action, and it is pretty impressive in this film. It is brutal, gory, consistent, and well shot throughout. There's nothing about it that is particularly revolutionary but it is all very effective. I don't think I can really fault the film from this perspective.

Then there is the story which is again relatively decent. There are some good twists and turns and it keeps a decent momentum throughout.

The characters are a bit 2-dimensional for my liking so there isn't much to get stuck into in this respect. The performances are all decent enough, particularly Skarsgard in the lead with a strong silent performance, but there's nothing too remarkable.

Another thing that just didn't click for me was the humour. This, alongside large parts of the script, just felt a bit awkward and cliche. This isn't necessarily a deal breaker but the script could have been tightened up.

Overall though I was thoroughly impressed and entertained by this film. If you're in the mood for some riotous action and a propulsive plot, this is the film for you!
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4/10
"Do you know how hard it was to get them to sponsor mass murder?"
FeastMode23 April 2024
Boy Kills World is unique, outrageous, over-the-top, violent and bloody. It's dark and fun at the same time. The premise is highly intriguing, especially when it comes to the main character and a few of his attributes. Everything I just described makes it seem like this movie is catered specifically for me. These are the exact kinds of movies I go for.

So why didn't I like it more? It's hard to say. Aside from a few really cool fight scenes, I maxed out at "mildly enjoyable." It wasn't hooking me like it should. For most of the movie I felt like, "it's fine."

The action is sometimes awesome, fast-paced and brutal. A scene involving a cheese grater stands out. But other times, the fight scenes are hectic, shaky and unclear. This can also describe the story as a whole. It always feels off. And later in the movie they introduce story elements I didn't buy at all.

One thing I'll concede, this movie is highly relevant. We continue to see totalitarian governments around the world silencing dissent using brutal methods. Dehumanization is prevalent. The answer to the quote in my headline is... not hard at all. I won't specify because my review will be taken down. But we've seen massive boycotts of companies profiting from mass murder. Not to mention the educational institutions as we watch mass protests on college campuses across America.

(1 viewing, early screening Marcus Mystery Movie 4/22/2024)
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6/10
Kill Bill vol 3
Padreviews1 May 2024
I'm not a huge fan of violence & gore and Tarantino films are not my thing , although this had nothing to do with Quentin , you could see the influence

The fact that this was an original story straight to film was impressive , it had the feeling of a well established game or comic but the influences are definitely there and I can see this being spun into a franchise with sequels, games & comics

With it dystopian theme it had hallmarks of films like The Hunger games & running man and to an extent Total Recall . There were also hints of Rollerball , Westworld & Logan's Run with a touch of Pythonesque humour around the violence & gore

All in all it wasn't a bad film , it was above average & it worth watching if this is your genre , it's not mine but I didn't dislike it , I thought it was ok

Pad. A 6/10.
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7/10
Psychedelic, hallucinations, severe metal illness, and a bit of the ultra violence.
vitalymakievsky13 May 2024
If you are bored with the same plot line and tropes of every revenge film, this one is for you my friends. Our main protagonist, does psychedelic drugs, has regular hallucinations, and from the years of severe mental and physical abuse, becomes an unhinged but likable monster.

At this movie's heart it's really a dark comedy, narrated by the lovable and hilarious H. Jon Benjamin a legend for his voice work on Archer and Bob's Burgers, and many more. Mr. Benjamin is the inner dialogue for our protagonist because he is deaf and mute!

The plot of this movie is fun but rather bland because the story mostly progresses through non-stop action sequences, but the action is pretty funny and gory.

This film is also a satire on other action movies, and is a stern warning to the Western World if it succumbs to the neofascism which is strongly coming back in countries like Italy and America.
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7/10
Disengage your brain and enjoy
anthonyiaclaims23 May 2024
If you've never watched Archer or Bob's Burgers do yourself a favor and see a few episodes of each before watching this. It's the same voice actor in all of them. He narrates for the main character who is deaf. "Boy" the main character does Archer type stuff with Bob's style of speaking. This adds a new comedic level to everything he does. I think it is on purpose but either way it made me laugh several times.

It is a parody of sorts, but I found it much better than Jackie Chan movies or the Jean Claude VanDamme movies it lampoons. It's closer to a Jason Statham movie for the fight scenes. So if you enjoy them, you should enjoy this as well.
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7/10
Boy Kills World
jboothmillard6 May 2024
Warning: Spoilers
It was a combination of the cool title, the good people in the cast (especially the star of It who was also going to be The Crow), and the revenge plot that attracted me to this movie, and I was happy Mark Kermode and other critics' reviews were positive, so I couldn't wait to see it, produced by Sam Raimi (The Evil Dead, Evil Dead Rise). Basically, a young child known only as Boy (twins Cameron and Nicholas Crovetti) lives in a city with his mother (Rolanda Marais) and younger sister Mina (Quinn Copeland). Boy and Mina are best friends and often play arcade games together and draw illustrations of their future. The city is ruled by the Van Der Koy family, headed by the matriarch Hilda Van Der Koy (Famke Janssen), with siblings Gideon (Brett Gelman) and Melanie (Downton Abbey's Michelle Dockery), along with Melanie's husband Glen (District 9's Sharlto Copley). Once every year, twelve people are gathered from the city by Hilda to participate in The Culling, an event where all twelve are killed on live television. In preparation, Hilda gathers Boy, Mina, and their mother and shoots Mina and their mother. Boy is spared, but he is tortured, having his tongue cut out and his ears charred by a hot poker. He is left for dead in the wilderness but is found by a mysterious Shaman (The Raid's Yayan Ruhian, voiced by François Chau) who nurses him back to health. He constantly trains with the Shaman in hand combat, sword skills, strength, and coordination until he is fully grown, in the hope of getting revenge against the Van Der Koys. Being mute and deaf, Boy (Bill Skarsgård) has forgotten the sound of his own voice, and imagines his inner monologue (H. Jon Benjamin) to be the voice from his favourite video game with Mina, Super Dragon Punch Force 3. Over the years, he has been constantly hallucinating Mina being by his side and speaking to him. While heading into the city to sell flowers, Boy sees Glen and Gideon arrive to round up the victims for that year's Culling. A woman (Frances Sholto-Douglas) in the crowd heckles Glen, he threatens to shoot her and accidentally shoots a random civilian. This causes a large fight with Boy watching, during which the Van Der Koy's enforcer, June 27 (Happy Death Day's Jessica Rothe), massacres many people, leaving only six alive who are captured by Gideon. Deciding to follow them, Boy hides in the boot of Gideon's car. Boy ends up at a warehouse and lip reads a conversation between Glen, Gideon, and Melanie. Then he is attacked by Glen and several of his men as Gideon leaves with Melanie. Boy brutally kills the men and befriends a captive named Basho (Bullet Train's Andrew Koji). Basho helps Boy interrogate Glen for information; he reveals that Hilda hosts a party before The Culling every year. Glen offers to help them, saying he wants to escape the family, but Basho accidentally crushes his head, dropping a bench press he is holding onto it. Basho takes Boy to meet the Resistance but discovers that everybody has been killed by the Van Der Koys. The only member remaining is Benny (It Chapter Two's Isaiah Mustafa), who Boy finds it difficult to lipread because of his thick beard. Boy, Basho, and Benny sneak into the manor, with Boy disguising himself as a member of catering. He makes his way into Hilda's dining room, where he decapitates her, only to realise she is a decoy, and the dinner is a rehearsal. Gideon orders June 27 to fight Boy, he nearly beats her but has a moment of weakness and is knocked out. Boy is tied up and Gideon gets ready to torture him, but he instead reveals that he wishes to help him. Gideon explains Hilda created The Culling to protect herself from the Shaman and has been living in a bunker for years; all the criminals have been killed years ago and many innocent people have been massacred during the annual Culling. Melanie takes Boy to The Culling, where there are several costumed performers, including one dressed as the pirate from his favourite childhood breakfast cereal. Hilda unexpectedly makes an appearance but ignores the script provided. She is forced off the stage by Melanie after she mistakenly spots the Shaman and nearly fires a gun. The Culling begins as Boy uses a scalpel given to him by Gideon in secret to free himself, reuniting with Basho and Benny who have sneaked in. Melanie furiously confronts Gideon in the control room and points a gun at his back. After killing most of the executioners, Boy is almost shot by Melanie, but Benny jumps in front of him, being shot and killed instead. Melanie shoots Basho but is knocked out by Boy. He waits for her to wake up before impaling her face with the camera dolly broadcasting live. Boy and a mortally wounded Basho go through the hallways leading to Hilda's bunker. Boy is so focused on killing the guards that he misses Basho dying from his wounds. Boy finds Gideon, who was shot by Melanie; he gives him a key card to the elevator down to the bunker. The hallucination of Mina begs Boy not to kill Gideon, but Boy does not listen and kills him, causing the hallucination to disappear. In the elevator, Hilda speaks to Boy through a camera/microphone, asking if what he's doing is worth it. When he shows Hilda a drawing drawn by Mina, she becomes horrified and orders the guards outside to stand down. June 27 takes Boy to Hilda in a large room, which has paintings of the Van Der Koy, which include him and Mina. It is revealed that Boy is Hilda's son and that the Shaman's entire family were killed in The Culling. Boy actively participated in killing dissidents, but he refused to shoot the Shaman which led to his escape. This incident led to Boy running away into the woods, he was found by the Shaman, who almost killed him, but instead muted and deafened him. Using LSD and psychological torture, the Shaman warped Boy's mind, making him believe that Hilda killed his family as he trained him to become a weapon. Boy has actually been murdering his real family while June 27 is revealed to be Mina, who is alive and has grown up. In shock, Boy cannot give Hilda any signs of affection and she orders June 27/Mina to kill him. But June 27 instead stabs Hilda in the head with one of her hatchets. Reuniting with his sister, Boy and June 27 make their way out of the bunker, violently killing the remaining guards who threaten them. The two enter the elevator but it suddenly descends, where they are met by the Shaman. He says he is proud of Boy, but orders him to kill June 27 as the last Van Der Koy. The three have a lengthy and brutal fight, where the Shaman and Boy are evenly matched, but the Shaman repeatedly gets the upper hand, nearly crushing June 27's head and slicing open Boy's forearms, wrists, and legs with his sharpened necklace. Despite his wounds, Boy manages to force the necklace back into the Shaman's neck, slitting his throat and killing him. Boy and June 27, both bleeding heavily, exit the bunker as they make their way to their new future. A flashback shows the two playing the arcade game, where the voice announces "Player 2 Has Entered the Game". Also starring Zainab Azizi as Melanie's Executive, and Ashley Dowds as Boy's Imaginary Father. Skarsgård's performance is all in his facial expressions and he is good, Copley, Dockery, and Gelman are all equally devious villains, Koji and Janssen are good support, Rothe is fine, Ruhian is suitably menacing, and I loved the inner voice by Benjamin. A mission of revenge by a martial artist against a criminal dynasty is an engaging story filled with mayhem, the fast-paced pace and style are well executed, and the over-the-top comic gore and violence are fantastic, an entertaining action comedy thriller. Very good!
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8/10
Funny and bloody.
cliff-3342123 April 2024
I previewed this film during the Regal Mystery Monday event.

I will preface this by saying that action is my least favorite genre, but I will give the film an honest review based on its qualities rather than my personal opinion.

"Boy Kills World" is funny, bloody, and over-the-top in every regard.

If "Cabin in the Woods" and "Kill Bill" had a baby, it would grow up to be "Boy Kills World."

Bill Skarsgård and Famke Janssen work well together. I loved the television series "Hemlock Grove" back in 2013. Bill Skarsgård has obviously been hitting the gym hard, as he is absolutely shredded in "Boy Kills World."

If you enjoy the comedic bloodbath trope, then this will surely be enjoyable for you.
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7/10
Oh boy...
Pjtaylor-96-1380442 May 2024
On paper (and even, I suppose, in practice), the obnoxious narration that underscores most of 'Boy Kills World (2023)' should be the most annoying thing in the world. However, it doesn't take too long for the movie's haphazardly off-kilter vibe to win you over, which thankfully includes the constant inner voice of its deaf and non-verbal protagonist (his eardrums and tongue are painfully removed in flashback). It's not perfect, of course, but each unhinged and unrefined aspect of the piece adds up to the overall frenzied, fever-dream aesthetic that makes this ultraviolent actioner stand out from some of its peers (even though that same aesthetic also pushes the piece into that all-too-familiar post-'Deadpool (2015)' blob that so many people find so very grating). If you can get on its level and just go along with its overworked madness, you're likely to have quite a bit of fun despite the genuine roughness of each and every element (mostly when it comes to the narrative and tone, rather than the filmmaking itself). What makes it easier to do that is the balls-to-the-wall brutality of its frenetic fight sequences. Even though some earlier set-pieces are perhaps a little tamer than you'd like (in terms of gore and excitement), the flick makes up for it with a riotous third act that features a phenomenal final fight that amps up the viciousness of the previously sometimes weightless body-dropping by lessening the scale and increasing the stakes. It's a really good climax and it's what clinches the overall experience as one I'd easily recommend. That's not to imply that everything prior to that is bad, of course. There are several enjoyable action scenes that make good use of gruesome gags (that cheese grater bit had everyone in the cinema wincing) and accomplished choreography. Although it's a bit more ragged than some similarly highly designed stuff, it works well for what it is and the filmmaking leans into its desired aesthetic by including some stylishly abstract shots that put the focus on the feel of certain moments rather than their mechanics. This, in turn, helps to keep us locked into the perspective of the protagonist, which itself gives the film's big reveal the weight it deserves. This twist (which I partially - but not fully - guessed very early on) is a little silly, sure, but it's no more absurd than the rest of the purposefully strange picture and it transforms the initially cut-and-dry 'good vs bad' theming into something surprisingly - and thrillingly - ambiguous. The flick ends up finding an unexpectedly strong emotional core, which makes its final fight even more powerful. Ultimately, this is a flawed but fun action film that's as vicious as it is bizarre. Although its quirkiness is overtly manufactured and toes the line between being charming and annoying, its aesthetic and atmosphere end up being what makes it feel as unique and entertaining as it is. It's easy to see why some people wouldn't like it, but I find it really enjoyable.
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4/10
It felt like all the others thrown together
Saw the trailer and was convinced this was my type of film, funny, action, gore and horror and seemed to be imaginative and fresh. However watching it it felt like ideas from about 7 movies squeezed into one but it just doesn't feel like it works well in any genre.

Some of the humour is great, as are the fight scenes but the story is genuinely awful, the characters aren't remotely interesting or ones you really care about. You'll probably float through thinking it's fine, but then when you get out, you'll have forgotten everything.

The cast have no real chemistry either, some of the choices were baffling, seemed they just had jokes in mind they wanted to get in.
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8/10
A gory action fun time
chronic_nightmare29 April 2024
If you like revenge movies with a twist and tons of mindless goons being evicerated for your entertainment then you will enjoy this movie 👍🏻 I am one of those people 👍🏻 My expectations were quite low but by the end I had a great time and it was much better than I originally thought. The fight scenes are really well done and there are some laughs thrown in (especially when Boy played by Skarsgard is trying to lip read someone) Bill Skarsgard is awesome in this and I hope he continues to do more action roles. Don't watch this if you dont like blood on screen, have an irrational fear of cheese graters or your with your nan 👌🏻
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7/10
Great Action, Weak Script
cdjh-8112528 April 2024
Was a bit mixed on this overall, loved the action sequence but everything in between not so much. Mainly because the story is so generic and the humour was very hit and miss for me. Bill Skarsgard really is the reason to see it though, he's quickly becoming one of my favourites, and as someone who loves gore in my action movies this absolutely scratched that itch. For a debut it's pretty impressive visually but I didn't really like the script that much, it's not got that much originality and there's a few reveals that feel ridiculously contrived. I knew nothing about this movie before I watched it and I can definitely say I was entertained. Suppose the best way I can describe my thoughts is that I liked the parts but the whole left me wanting more.
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3/10
Had the making of a good movie but.......
wbmqvz26 April 2024
Warning: Spoilers
This has the making of a good film , a more modern violent, bloody Karate Kid. The training scenes were good and fight seen were excellent. What let it down were several clips that came across very drug trippy. The story line and outcome was very predictable and was obvious from the first few minutes. Most of the hand to hand fight action were very good and yes I turned away at some of the gore. What was silly was easily 50 people shooting at 1 man but not 1 round hit him. It reminded me of the A Team from the 80s, a million bullets fired but managed to hit nobody. Another thing what annoyed me, they made it like we were watching it through the eyes of Street Fighter game.
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7/10
One note violent blast
griffithxjohnson9 May 2024
A 1 trick pony with hyper violent, stylized fights that are creative, relentless, & over the top. The comic relief works but undoes the tone. The world building is underdeveloped yet interesting with a slick aesthetic.

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. A 1 trick pony with hyper violent, stylized fights that are creative, relentless, & over the top. The comic relief works but undoes the tone. The world building is underdeveloped yet interesting with a slick aesthetic.

. .

. A 1 trick pony with hyper violent, stylized fights that are creative, relentless, & over the top. The comic relief works but undoes the tone. The world building is underdeveloped yet interesting with a slick aesthetic.
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6/10
Oh Boy
cutie729 April 2024
"Boy Kills World" bursts onto the screen with a splash of gore and a dollop of style, marking the directorial debut of Moritz Mohr, who clearly isn't afraid to get his hands dirty. In this wildly imaginative, post-apocalyptic romp, Skarsgård's "Boy" is a symphony of silent rage, carving through villains with the kind of glee only a video game-inspired inner voice could muster. It's as if Tarantino and a Saturday morning cartoon had a baby, and then let it play with too many sharp objects. The result is a bloody, gory mess-in the best way possible. Between the high-flying kicks and splatter-fest, there's just enough campy fun to keep the popcorn flowing.

However, not all that glitters is gold-or in this case, not all that splatters is plot. The film, while a rollicking good time, does stumble with its mismatched narration and main actor, occasionally feeling like you're watching a dub gone rogue. The script wobbles, with jokes that hit about as inconsistently as Boy's enemies, leaving some scenes feeling like a setup without a punchline. But let's not be too harsh; it's a debut, after all, and there's ample room to grow. What it lacks in narrative strength, it more than makes up for in sheer audacity and spectacle. "Boy Kills World" clearly doesn't take itself too seriously, which is perhaps its greatest strength. So strap in, grab your popcorn, and enjoy the wild, wacky ride-it's worth every unpredictable twist and turn.
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